ALL THE WORLD'S A STAGE - Jake Runestad by Jake Runestad

JR0056

Jake Runestad

ALL THE WORLDâ&#x20AC;&#x2122;S A STAGE SATB choir with divisi, unaccompanied

Music jakerunestad.com

Libretto All the world’s a stage, and all the men and women merely players; They have their exits and their entrances, and one man… Away you cut-purse rascal, you filthy bung, away! By this wine, I’ll thrust my knife in your mouldy chaps, an you play the saucy cuttle with me. Away you bottle-ale rascal, you basket-hilt, stale-juggler, you! I think thou art an ass…[asset to this institution and this fine, choral ensemble.] Thou wimpled, tickle-brained bladder! Thou dismal-dreaming nut-hook! Thou f lap-mouthed fustilarian! Thou currish, sheep-biting pigeon-egg! Thou surly, mammering miscreant! Thou frothy, malmsey-nosed mumble-news! Thou wayward, knott y-pated maltworm! Were I like thee I’d throw myself away! Parting is such sweet sorrow. Thine face is not worth sunburning, pray you stand farther from me. An infinite, endless liar, the owner of no good qualit y. You have not so much brain as earwax, your breath is sulfurous to smell. What wind blew you hither? You’re unfit for any place but hell. Go rot. Were I like thee, I’d throw myself away. Away! Texts by William Shakespeare, adapted by the composer. Supplemental text indicated by brackets.

Performance Time c. 5:00 Performance Notes Inspired by the humor and theatricalit y of Shakespeare’s words, this work is a zany take on a choral performance. All performers must engage as characters and the story can be altered to fit the ensemble’s own vision. The basic plot is the conductor has not fully prepared the choir and is trying to make the performance a last-minute success. After several mis-cues by the the conductor, the choir becomes increasingly frustrated, begins mocking the conductor, and soon completely takes over. The audience should not be told ahead of time that this is a humorous work. Have a blast!

About the Composer Considered “highly imaginative…with big ideas” (Baltimore Sun) and “stirring and uplifting” (Miami Herald), award-winning composer Jake Runestad (b. 1986) has received commissions and performances from leading ensembles and organizations such as Washington National Opera, the Netherlands Radio Choir, the Louisiana Philharmonic Orchestra, the Cincinnati Vocal Arts Ensemble, Seraphic Fire, the Dayton Philharmonic Orchestra, the Virginia Arts Festival, the Santa Fe Desert Chorale, and Conspirare. Dubbed a “choral rockstar” by American Public Media, Jake is one of the most frequently performed composers in the U.S.A. Jake Runestad holds a Master’s degree in composition from the Peabody Conservatory of the Johns Hopkins Universit y where he studied with Pulitzer Prize-winning composer Kevin Puts. He has also studied extensively with acclaimed composer Libby Larsen. A native of Rockford, IL, Mr. Runestad currently lives in Minneapolis, MN and his music is published by Boosey & Hawkes and JR Music. Find out more at: JakeRunestad.com

Perusal Score

Please purchase scores at: JakeRunestad.com/store

Commissioned by the University of Cincinnati College-Conservatory of Music Chamber Choir. Earl Rivers, conductor.

ALL THE WORLD'S A STAGE Jake Runestad (b. 1986)

ot Per fo us r P al er Sc fo or rm e an ce

William Shakespeare (1564-1616) [With great confidence, the conductor (C) enters the stage to audience applause, head held high, while the choir rolls their eyes. Once quiet, C whispers some last-minute instructions to the choir and then begins.]

° bb4 SOPR ANO & b b b 4

Slowly q=66

∑

œ œ œ

All the world's a

ALTO

b 4 & b bbb 4

∑

BASS

PIANO (for reh.)

?b 4 ¢ b bbb 4 Œ

{

œ œ œ™

œ J

™ œ œ œ

stage,

œ J

stage,

All the world's mp

All the world's

Slowly q=66

b 4 & b bbb 4

? bb b 44 Œ bb

∑

TENOR

œ œ œ

™ œœ œœ œœ ™

œœ J

w w

stage,

œ™ œ œ

œ J

œ™ œ œ

stage,

œ J

stage,

All the world's

œœ œœ œœ

œœ

w w Œ

3 4

œ œ œ

3 4

All the world's a

All the world's

œ œ œ

All the world's a

b 4 & b bbb 4 Œ ‹

œ ™™ œœ œœ œ

œœ J

3 4

w w

œœ œœ œœ

3 4 œœ

3 4 3 4

This score is intended for perusal use and is not licensed for performance. Further dissemination of this copyrighted work is ILLEGAL.

[The choir gradually dies away as they realize the inaccuracy of the alto entrance. The conductor keeps going trying to salvage the performance. Once all sound has stopped, C realizes, glares at the singers, gesturing in frustrated inquiry, and then turns to the audience and gives a manufactured, apologetic smile.]

[Conductor gives a big cue to the altos. Hearing the clash from an early entrance, the rest of the choir grimaces obnoxiously and glares at the altos.]

° bb b 3 ˙˙ ™™ & b b4

4 ‰ œj œ ™ 4 mp

stage,

and

‰ œj œ œœ 44 œœ nœœ

stage,

and all the

{

b 3 ˙ ™™ & b bbb 4 ˙œ

Pno.

and all

mere - ly

play - ers.

œ 4 ˙˙ J 4

œœ

mere - ly

œœ 4 ˙˙˙ J 4

∑

b & b bbb

∑

œ œ œ

œœ œ

?b ¢ b bbb Œ

{

b & b bbb

Pno.

? bb b Œ bb

œ œ œ™

œ J a

stage,

œ J

All the world's

stage,

œ nœ ˙

œ œ œ

All the world's

™ œ œ œ ∑

œ ™™ œœ œœ œ

Œ œœ J

w w

stage,

œœ

stage,

w w Œ

œ œ œ

2 4

All the world's a mp

œ œ œ

2 4

All the world's a

œ™ œ œ

œ J a

stage,

œ J

All the world's

stage,

œ™ œ œ

All the world's

œœ œœ œœ

Œ œ‰ nœ ˙œ bœ bœ œ œ œ œ œ " œJ œ

play - ers;

œœ œ3 œ œ œ nœœ œœ nnœœ #nœœœ ˙˙˙

o "

play - ers;

All the world's a

b & b bbb Œ ‹

j œ bœ œ œ œ œ œ œ œ œ 3

œœ nœœ3 œœ nœ #œ ˙ nœ œ ˙ mere - ly

All the world's a

men

[C starts the choir with overly-confident and f lamboyant gestures as if proving C is actually capable of great things and that the music is pouring from C's hands.]

° bb b & bb

timidly dying off

They have their ex - its and their en - tranc - es.

œ œ œ

men

play - ers.

‰

nœœ #œœ œœ

3 ‰ j œ™ 4 œ œ œ ‰ œJ œ œœ 4 œœ nœœœ œœ œœ œœ nœœ #œœœ œœœ œ

œœ œœ œœ

œ 44 ˙ J

the

? bb b 43 ‰ œœ œœ™™ bb J

wo - men

the

?b 3 œ œ™ ¢ b bbb 4 ‰ J

the wo - men mere - ly

œ nœ ˙

ot Per fo us r P al er Sc fo or rm e an ce

b 3 j & b bbb 4 ‰ œ œ ™ ‹ and all

œ œ œ œ œ œ

all

mf bring out

b 3 & b bbb 4 œ

œœ ™™ œ œœ œ

Œ œœ J

2 4

w w

2 4 œœ œœ œœ

œœ

2 4 2 4

This score is intended for perusal use and is not licensed for performance. Further dissemination of this copyrighted work is ILLEGAL.

[Overjoyed by the correct entrance, C gives the altos a thumbs-up but forgets to cue the tenors and basses.]

° bb b 2 ˙˙ & b b4 12

stage,

b 2 & b bbb 4 ‹

∑

? bb2 ¢ b b b4

∑

{

? bb b 42 bb

∑

° bb b œ & bb b & b bbb nnœœ

play

Pno.

b & b bbb œ ‹

{

œ ? bb b œœ bb

œœ

j œ

all

4Œ 4

mp unsure

j œ

and

all

mp unsure

œ J

‰

œœ

men

nœ -

ers.

œ J

œœ

the

ers.

and

œœ ™™

j œœ

4Œ 4

all

œœœ

œœ œ

the

mere -

‰

j œ

They

have

their

‰

˙˙

mere - ly

œœ

n3œœ

œœ

mere - ly

˙˙˙ œœ œ

œœ œ

nœœœ 3

œœ œ

œ play

nœœ play

j bœ

They

nœ

œœœ

œœ œ

œœ J

œœ

œœ œ

C: What's the matter with you? An Alto: You forgot to cue the tenors and basses. C: (cutting in) Just do it again and DON'T stop this time. (To the audience, nervously) I'm sorry... live performance... always an adventure."

bœ

U Ó

its...

bœ

have

their

j œ

‰

U Ó

œœ J

‰

U Ó

its...

ers;

#œœ -

œœœ

men

nœœœ

œœ

œœ J

‰

#nœœœ

œœ

men

timidly

#œœ

mere -

nœœ

men

œœ

the

‰

timidly

? bb b œœ ¢ bb b & b bbb nnœœœ

œ™

mf confidently

4Œ 4

the

[C looks at the singers, annoyed.]

play

all

4‰ 4

and

b 2˙ & b bbb 4 ˙˙

Pno.

ot Per fo us r P al er Sc fo or rm e an ce

œ™

4‰ 4

stage,

j œ

mf confidently

4‰ 4

bb2 & b b b4 ˙

[The sopranos and altos realize C mis-cued the tenors and basses and begin to fade and glare at C. The tenors and basses also begin to fade out while wincing.]

[C realizes the error and hurriedly cues the tenors and basses, albeit incorrectly.]

ers;

‰

j bœ

bœ

œ nœœ

#nœœœ

œœœ J

‰

This score is intended for perusal use and is not licensed for performance. Further dissemination of this copyrighted work is ILLEGAL.

[C starts the choir again but they are completely checked out, annoyed, and glaring off into space. One tenor begins singing obnoxiously loud, with scoops, etc. A few more singers join in this technique on their next entrance. C is oblivious and, of course, over-conducting to make up for technical faults.] 16 mp

° bb b & bb

∑

œ œ œ

All the world's a

b & b bbb

∑

œ œ œ

All the world's a

bb &b b b Œ ‹

? bb Œ ¢ bbb

{

b & b bbb

Pno.

œ œ œ™

œ J a

stage,

œ J

stage,

All the world's

™ œ œ œ

All the world's

∑

? bb b Œ bb

° bb b 2 ˙˙ & b b4 b 2 & b bbb 4 ˙

?b 2 ¢ b bbb 4 ‰

{

j œ

and

œ J

and

b 2˙ & b bbb 4 ˙˙

Pno.

? bb b 42 ‰ bb

œœ œœ œœ

w w

œœ

j œ

œ™

and

all

j œ

œ™

and

œ™

œœ J

all

œ™ all

œœ™™

all

the

wo - men

œœ œœ nœœ

the

wo - men

men

stage,

œ J

stage,

œ œ

œ™

œ ™™ œœ œœ œ

œœ

men

4‰ 4 œœ 4 ˙˙˙ 4

œ œ œ mere - ly

2 4

œœ J

j œœ

œœ ™™

w w

2 4 œœ

œœ œœ œœ

œœ œ

2 4 2 4

play - ers;

œœ

œ œ œ

œ nœ

mere - ly 3

‰

play - ers;

œœ œœ œœ nnœœ #œœ

play - ers;

œœ n3œœ œœ nœ #œ nœ œ mere - ly

œœœ œœ nœœ œ œ

œ nœ

mere - ly

œ 4 ˙˙ 4 the

œ œ

œ 44 ˙

b 2 & b bbb 4 ‰ ‹

œ J

All the world's

w w

4‰ 4

stage,

œœ J

4‰ 4

stage,

œ™ œ œ

[C gives a big, (mis)-cue to the altos.]

All the world's a mp

All the world's

2 4

œ œ œ

stage,

™ œœ œœ œœ ™

2 4

All the world's a

ot Per fo us r P al er Sc fo or rm e an ce

œ œ œ

stage,

œœ 3œ œ œ nœ œ nœœ œœ nnœœ # œœ

j œ

They mf

bœ nœ

They have

‰ bœj They

œœ

play - ers;

œœœ œœœ œœœ nœœ #nœœ nœ œ

‰ bbœœ J

They

œœœ

bœ nœœ

œœœ

‰ bbbœœœ J

This score is intended for perusal use and is not licensed for performance. Further dissemination of this copyrighted work is ILLEGAL.

[One choir member: "Oh! Come on!" The entire choir begins to moan, groan, 5 and gripe in frustration about C's mis-cues. Amid the ensuing chaos, singers begin shouting various insults: Thou'rt poison to my blood." "Go ye giddy goose." Thou dost infect my eyes." "Away, you mouldy rogue, away!"

[Everyone galres at the altos.]

have

b & b bbb œ

their

bœ

- its

?b œ ¢ b bbb œ

{

have

? bb b œœœ bb

Lively q.=138

#6 & #8 Œ ™ ‹

{

en - tranc -

And 3

en - tranc

œ bœ

œ œ

their

en - tranc

œ œ

œœ

œ œ

one

j œ

A -

œ J

## 6 8

U™ Ó

## 6 8

U™ Ó

## 68

nœ

U™ Ó

## 6 8

U™ Ó

## 68

Œ œ

œœ œ

[Throughout this section, C attempts to regain control but is pushed away by the new conductor. C physically responds to the insulting words.]

mp angered

j œ

˙™

mp angered

j œ

A - way, mp

˙™

a - way,

j nœ œ

a - way,

j œ œ

a - way,

j #œ œ a -

way!

j œ œ

j œ

j œ œ

j œ

œ nœ #œ

a - way,

œ™

a - way,

way!

˙™

∑

Œ™

˙™ Œ™

mp angered

j œ

œJ

A - way,

˙œ ™

œ #œ

j œ œ

˙™

Œ ∑

U™ Ó

man...

es,

œœ œ œœ ‰

nœ

es,

A - way,

## 6 8

All singers catch on and begin to shout "Away," growing in frequency and intensit y. This continues into measures 26-28 and fades as voices enter with their written part.]

out of tune, timid

es,

U™ Ó

es,

‰

their

Lively q.=138

? ## 68 Œ ™

en - tranc 3

? ## 68 #6 & #8

Pno.

and their

#6 & #8

[C attempts to hush the choir with no success. A singer approaches the podium, pushes C away, and begins conducting.]

° ## 6 & 8

and their

œ bœœ

b & b bbb œœ bœœ œ

Pno.

ex - its

b & b bbb œ ‹ have

bœ

ot Per fo us r P al er Sc fo or rm e an ce

° bb b & bb œ 23

a -

way!

j œ #œ

angered

œ #œ

A -

way!

œ nœ #œ

j œ œ

j nœ œ

j œ œ

j œ

j œ œ

j nœ œ œ nœœ ™ œJ

j œ œ œ Œ œ œJ

j #œ nœœ œ œ œj #œœ nœœ œJ

a - way,

œJ œ

a - way,

a -

way!

##œœ ##œœ

This score is intended for perusal use and is not licensed for performance. Further dissemination of this copyrighted work is ILLEGAL.

6 S.

° ## œ nœ #œ &

>œ J ‰ œj œ ‰ œ A - way,

? ## œ #œ nœ

{

? ## œœ n#œœ #nœœ

j œ œ™

way,

you cut

# &#œ ‹ way,

j œ œ™

you cut

? ## œ ‰ œ œ

{

way,

# &#œ

Pno.

>œ

# &#œ

‰

a - way,

‰

œ œ

a - way,

œ œ

j ‰ ‰ Œ œ

a - way,

‰

a - way,

‰

a - way,

œ œ

‰

a - way,

‰

a - way,

œ œ

‰

a - way,

j ‰ ‰ Œ œ

‰ œ œ ‰ œ

œ ‰ œ œ ‰ œ

a - way,

>œ J ‰ œj œ ‰ œ >œ J ‰ œ œ ‰ œ J

œ™

purse

> nœ

œ™

> nœ

œ™

> nœ

ras

purse

ras

purse

‰

ras

a - way,

j œ œ™

A -

j ‰ ‰ Œ œ

j œ

a - way,

j œ

A -

j œ

A mp

œ™

a - way,

‰

œ œ

œ ‰ œ œ ‰ œ

n>œ > nœœ

a - way,

‰

œ ‰ œ œ ‰ œ

j Œ œ

cal,

you

j Œ œ

cal,

j œ

you

j Œ œ

j œ

cal,

j œ

you

œ ‰ œ œ ‰ œ

a - way,

j œ™ ? ## œ œ œ ‰ œ™ œ ‰

œ œ

a - way,

‰

you cut

way,

A - way,

° ## & œ 36

>œ J ‰ œj œ ‰ œ

Pno.

‰

a - way,

A - way,

# & # œœ #nœœ n#œœ

a - way,

‰

œ ‰ œ œ ‰ œ

ot Per fo us r P al er Sc fo or rm e an ce

œ œ

‰

# & # œ nœ #œ ‹

‰

a - way,

# & # œ #œ nœ

> œ

filth

> œ

filth

œ œ

‰

a - way,

j Œ œ

j œ

˙™

y bung,

j > #œ œ

y bung,

j œ

˙™

j > #œ œ

y bung,

j œ

a - way,

‰

a - way,

œ œ

a -

‰ œ

œ ‰ œ œ ‰ œœ

j œ

a - way!

˙™

a - way!

sub. p

œ ‰ œ œ ‰ œ

a - way,

j j # œ n œ >œ œ > j œœ #œœj œœ œ ‰ ‰

œ >

j > #œ œ

œ ‰ œ œ ‰ œ

a - way,

j œ œ ‰ œ ‰

‰

a - way,

œ ‰ œ œ ‰ œ

> œ

filth

a - way,

˙˙ ™™

a - way,

a -

˙™ œ ‰ œ œ ‰ œ

This score is intended for perusal use and is not licensed for performance. Further dissemination of this copyrighted work is ILLEGAL.

° ## œ & 40

By sub. p

# &#œ

By sub. p ## œ & ‹ By

this wine,

j œ bœ

{

way,

j œ œ J

n>œ

this wine,

I'll

thrust

a -

œœ bœœ œJ œ

j œœœ nnœœœ >

j œ

you

# & # nœ ‹ you

? ## œ

{

you

play

#œ J

œ œ œ

play

œ J

‰

my knife

œ™

the

œ J

the

play

way,

j #œ

œ J

œ™

#œ ™ sau

œ™

the

œœ ™™

# & # œœ

j œœ

œœ

j ##œœ

? ## n œœ

# œœ J

œœ

œœ J

œ >œ J

bœ

j œ

your

nœ

j œ

your

bœ

œ J

your

mould

œ mould

> bœ ™

> nœ ™

j œ

œ ‰ œ

a - way,

j œœœ bœœ >œ

‰

way,

nbbœœœ

œ ‰ œ œ ‰ œ

j #œ

‰

œ ‰ œ œ ‰ œ

a - way,

# &#

j > œ bœ

my knife

œ œ J

play

‰

> œ

thrust

j œ

> œ œ J

my knife

I'll

° ## & œ

you

Pno.

thrust

? ## œ ‰ œ œ ‰ œ

I'll

this wine,

œ J

? ## œ ‰ œ œ ‰ œ # œ & # œœ

Pno.

œ œ J

n>œ

chaps, mf

j œ y

mf b>œ ™

œ J y

chaps,

œ ‰ œ œ ‰ œ

# œœ ™™

#œ ™ cy

cut - tle

œ™

#œ

cut - tle

œ™

œ œ

cut - tle

œ ™ <n> œ

œœ ™™ n œœ

j œœœ

j œœœ nbbœœœ ™™™ >

˙™

with

me.

˙™

with

me.

˙™

with

me.

˙™

with

me.

nœœ

œœ

˙˙™™

œœ

œ œ

cut - tle

#œœ ™™ #œœ

œ ‰ œ

˙˙ ™™

nœ J

a - way,

œ ‰ œ

j œ

chaps,

œ ‰ œ œœœ

j œ an

ot Per fo us r P al er Sc fo or rm e an ce

sub. p

way,

a - way!

œ™

œ™ œ™ œ™ œ™ œœ™™ œœ ™™

j œœ œ

Œ Œ™

j œ

A mf

Œ Œ Œ

j œ

A -

j œ

A f

j œ

A -

j œœ

œœ J

This score is intended for perusal use and is not licensed for performance. Further dissemination of this copyrighted work is ILLEGAL.

° ## & œ ‰ 48

way,

# &#œ ‰ way,

Pno.

# &#œ ‰ ‹ way,

?# ¢ #œ ‰

{

way,

‰

a - way,

‰

a - way,

‰

œ œ

‰

a - way,

œ ‰

‰

a - way,

‰

œ œ

‰

œ ‰

œ œ

‰

œ œ ‰

‰

j ‰ œ ‰

œ œ ‰

j œ ‰

a - way,

a - way!

œ ‰

œ œ

a - way,

‰

œ œ ‰

‰

œ œ

a - way,

œ ‰

a - way!

‰

œ œ

a - way,

œ œ ‰

‰

œ œ

a - way,

‰

œ œ

a - way,

œ œ ‰

‰

œ œ

‰

œ ‰

a -

j œ

A -

œ œ

‰

a - way,

‰

a -

j œ

A -

œ œ

‰

œ œ ‰

œœ œœ

> ° ## ‰ & œ œ œ ‰ œ œ ‰ œ œ ‰ œ œ ‰ œ œ ‰ œ œ ‰ œ œ ‰ œ nœ ‰ œ œ ‰ œ nœ ‰ œ œ ‰ œ # &#

a - way,

> j œ œ œ nœ œ

a- way,

jŒ œ

you bot - tle - ale ras - cal,

a - way,

j œ œ

a - way,

j œ œ

you bas - ket - hilt,

a - way,

> ‰ œ™

stale

a- way,

a - way,

> j ˙™ œ

a- way,

a - way,

a- way,

>j œ f

œ™

jug - gler, you!

I f

## ‰ j ‰ >j ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ ‰ & œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ‹ way, a - way, a - way, a- way, a - way, a - way, a - way, a- way, a - way, a- way, a - way, a- way, I ?# ¢ #œ

{

way,

j > œ œ œ œ nœ

j œ Œ

you bot - tle - ale ras - cal,

> j œ ‰ œ œœ œ‰ œœ nœœ ‰ > j ? ## œ œ œœ œ œœ nœœ ‰ ‰ ‰ # &#

Pno.

‰

œ œ

a - way,

œ œ ‰

way,

a - way,

? ## œ ‰

way,

‰

œ œ

a - way,

œ œ

a - way,

# &#œ ‰

‰

œ œ

ot Per fo us r P al er Sc fo or rm e an ce

j œ œ

œ œ J

you bas - ket - hilt,

> ‰ œ™

stale

j >™ œ ˙

jug - gler, you!

> jŒ j œ œj œ ‰ œ ™ œ œ ‰ œ œ ‰ œ œ ‰ œ œ‰ œ œ ‰ j ‰ > jŒ j œ œ ‰ œ œœ ‰ œœ œœ ‰ œ œœ™‰ œ œ ‰

œ™

>œ J f

> >j Œ j ˙™ œ œ ‰ œ œ ‰ œ œ™ œ ‰ œ œJ ‰ œJ > > > Œ œj j ˙™ ™ œ œ œ ‰ œ œ ‰ œ œ ‰ œ œ ‰ J J >

This score is intended for perusal use and is not licensed for performance. Further dissemination of this copyrighted work is ILLEGAL.

9 [Awkwardly fake smiles. C, hands on heart in pride, looks to the audience while the choir makes gagging gestures behind C's back.]

[C looks shocked. The choir quickly changes their potentially crass insult to something more endearing (lying through their teeth, of course).]

Ä 58 harshly ° ## >œ >œ >œ >œ 9 n>œ ™ U ¿™ & J J 8 think thou art an

ass...

think thou art an

Pno.

{

think thou art an

# >œ >œ > > & # œ œJ œœ œœJ >œœ >œœ n>œ >œ ? ## J œ œJ

# & # Œ™ # & # Œ™ ‹

?# ™ ¢ #Œ

{

# & # Œ™

Pno.

? ## Œ ™

Œ Œ

ass...

- set to this

U œ œ œ œ œ 68 Œ ™

fine,

f > Œ œj ˙™

cho - ral en- sem - ble.

A - way!

œ œ œ œ œ 68 U Œ™ 3

in - sti - tu- tion and this

Slower, freely

œœ. œœ.

œœ œœ œœ œœ

3 4 nœœ œ 3 nœ 4

œœ œœ œœ œœ œœ œœ

Ä Œ

œ™ œ™ œ œ œ

j œ

œ™ œ™ œ œ œ

j œ œ

j œ

œ™ œ™ œ œ œ

j œ œ

Thou wimp - led, tick - le - brained blad - der! pp cresc. poco a poco

œ™ œ™ œ œ œ

accel. poco a poco

œ™ œ™ œ œ œ œ™ œ™ œ œ œ

fine,

cho - ral en- sem - ble.

U œœœœœœ œœ œœ 68 Œ ™ 3

œœ œœ œœ œœ œœ U 6 Œ™ 8 3

[In tempo, C reacts to each insult, physically and verbally (with gasps).]

j œ œ

œ J

œ œ œ œ œ 6U 8 Œ™

œœ œœ 42 ˙˙ œœ œœ -˙˙ 2 4

j œ

cho - ral en- sem - ble.

œ. œ œ 3 n œ œ -œ œ œ œ 2 -˙ 4 4

pp cresc. poco a poco

j œ

fine,

mp sweetly

ss - set to this

9 n>œœ ™™ U Œ™ 8 >œ ™™ 9 nœ U Œ™ 8

in - sti - tu- tion and this

Thou wimp - led, tick - le - brained blad - der!

A - way!

œ. œ œ 3 œ œ -œ œ œ œ 2 -˙ 4 4

accel. poco a poco

> Œ œj ˙™ f

cho - ral en- sem - ble.

mp sweetly

[Leaning in closer to C.]

fine,

. 3 2 œ œ œ 4 œ œ œ œ œ œ 4˙

° ## ™ & Œ 65

in - sti - tu- tion and this

>œ >œ >œ >œ n>œ ™ U ¿™ ? ## J J 98 ¢

ss - set to this

harshly ## >œ >œ n>œ >œ 9 >œ™ U ¿™ J J 8 & ‹ think thou art an ass... ss harshly

in - sti - tu- tion and this

a tempo

f >˙™ Œ œJ

ot Per fo us r P al er Sc fo or rm e an ce

ass...

.œ œ œ 3 nœ œ -œ œ œ œ 2 ˙ 4 4

mp sweetly

ss - set to this mp sweetly

harshly ## > >j > >j 9 > U & œ œ œ œ 8 œ™ ¿™

Ä 3 U œ œ œ œ œ 68 Œ ™

Slower, freely

j œ œ œ œ J

[C jumps, taken aback by the sound.]

A - way!

œ >˙ ™ Œ J f

A - way!

> Œ œj ˙˙™™ œ >˙ ™™ Œ œJ ˙

a tempo

[C reacts.]

j œ #œ

j œ œ

Ä j Œ œ #œ ™ œ™

Thou

j œ #œ

j œ œ

j Œ œ #œ ™ œ™

j œ

Thou

j œ #œ

j œ œ

j œ

j œ #œ

j œ œ

j Œ œ #œ ™ œ™

Thou

dis - mal - dream - ing

nut - hook!

Thou

dis - mal - dream - ing

nut - hook!

Ä Œ

Thou

dis - mal - dream - ing

nut - hook!

j œ #œ

j œ œ

œ J

#œ

j œ

j œ #œ ™ œ ™ Œ

Thou

Ä Œ

Thou

j œ #œ ™ œ™ œ J

#œ ™ œ ™ Œ

j œ j œ œ J

This score is intended for perusal use and is not licensed for performance. Further dissemination of this copyrighted work is ILLEGAL.

° ## & œ™

œ™

# & # œ™

œ™

f lap - mouthed fus

j œ

- ti

f lap - mouthed fus -

Pno.

# & # œ™ œ™ œ ‹ f lap - mouthed fus ? ## œ™

{

œ™

# & # œ™

œ™

? ## œ™

œ™

sur

# & # #œ

sur

Pno.

# & # #œ ‹ sur

? ## #œ

{

sur

j œ ti

œ J ti

la - ri - an!

nœ

Ä Œ

j œ

nœ

j œ œ

nœ

j œ

nœ

j œ œ

nœ

œ J

nœ

œ J

nœ

Thou

la - ri - an!

Thou

la - ri - an!

œ J

Ä Œ

Thou

j œ

œ J

j œ œ

Ä Œ

ly, mam - mer - ing

j œ œ

ly, mam - mer - ing

j œ œ

œ J

ly, mam - mer - ing

mis - cre - ant!

cur - rish, sheep - bit - ing

pig - eon - egg!

cur - rish, sheep - bit - ing

pig - eon - egg!

nœ

j œ œ

nœ

œ J

nœ

mis - cre - ant!

j œ

œ J

j œ œ

Ä Œ

? ## #œ

œ J

Ä Œ

œ J

Ä Œ

j œ

œ œ œ œ

Thou froth - y, malm - sey - nosed mum - ble - news!

j œ œ J

j œ

[C reacts.]

Thou

j œ Thou

j œ œ

Ä Œ

œ J

Thou

Thou froth - y, malm - sey - nosed mum - ble - news!

j œ œ œ

j œ œ

j œ

Thou

Thou froth - y, malm - sey - nosed mum - ble - news!

mis - cre - ant!

j œ

Thou

pig - eon - egg!

j œ

Thou

Thou froth - y, malm - sey - nosed mum - ble - news!

# & # #œ

j œ œ

Thou

la - ri - an!

j œ

° ## & #œ

nœ

[C reacts.]

f lap - mouthed fus -

j œ

[C reacts.]

ot Per fo us r P al er Sc fo or rm e an ce

Ä Œ

[C reacts.]

œ J Thou

j œ œ J

This score is intended for perusal use and is not licensed for performance. Further dissemination of this copyrighted work is ILLEGAL.

j œ

way

Pno.

ward,

# & # #œ

# & # #œ ‹ way

{

ward,

j œ

? ## #œ

œ J

throw

# & # #œ throw

# &# œ ‹ throw ¢

? ## #œ

{

throw

# & # #œœ

Pno.

? ## #œœ

#œ

malt

œ œ

worm!

j œ

#œ malt

malt

j œ

#œ

j œ

Were

thee

I'd

j œ

Were

thee

I'd

j œ

#œ

j œ

Were

thee

I'd

œ J

Were

thee

I'd

j œ

#œœ

j œœ

œ J

worm!

#œ

j œ

worm!

#œ

knot - t y - pat - ed

œ J

malt

worm!

#œ

j œ

#œ

œ J

nœ #œ J

my - self

j œ

my - self

œ J

nœ

my - self

œ J

a -

j bœ

a -

° ## œ &

Ä Œ

j œ

Ä Œ Œ

[C looks distraught and deeply saddened. C begins to sulk offstage.]

knot - t y - pat - ed

ward,

# & # #œ

œ J -

knot - t y - pat - ed

j œ -

knot - t y - pat - ed

j œ

? ## #œ

way

ot Per fo us r P al er Sc fo or rm e an ce

° ## & #œ 78

[C reacts.]

my - self

j nœœ #œœ œ n œœ œ J

#œ J

a -

#œ J a -

bœœ J

#œ #œ J

bU œ™ f

way! f

U œ™

way! f

U œ™

way! f

Ä U Œ™ U™ Œ U™ Œ

U œ™

U™ Œ

way!

Ä U™ Œ

bU œœ ™™ U œ™ œ™

U™ Œ

mp sweetly

œ™

Part - ing

such

sweet

œ™

mp sweetly

nœ J

U œ

U Œ U Œ

such

sweet

sor - row.

mp sweetly

œ™

j U œ œ

Part - ing

such

sweet

sor - row.

mp sweetly

œ™

Part - ing

such

sweet

sor - row.

œ ™™ œ

œ™ œ™

j U nœœ œœ

Slowly, freely

œ œ

œœ

œœ ™™

œ™

œœ ™™

U Œ

j U œ œ

Lilting q.=44

sor - row.

Part - ing

œœ J

[C stops, looks back in hopes their sweet singing is a stop to the rebellion.]

Slowly, freely

#œœ

j U œ œ

œœ J

U œœ

j œ

œ J

j œ

Thine

U Œ

Thine

Lilting q.=44

U Œ U Œ

j œ œ œ J

# #

This page has been removed in hopes that you will purchase this score.

To purchase, please visit:

JakeRunestad.com/store

This score is intended for perusal use and is not licensed for performance. Further dissemination of this copyrighted work is ILLEGAL.

13 [Becoming more angered with each successive harmony.]

° #U & œ™

U œ™

#U & œ™

U œ™

‰

#U œ™

U œ™

‰

You!

& ‹

Pno.

You!

#U œ™

U ? # œ™

{

You!

#U & œœ ™™

U nœœ ™™

U ? # œœ™™

œœ ™™ #U

You have

U œ™

### >œ™

‰ #œ

not

> ### œ™

not

Grandiose, broadly q.=52

U œœ ™™

‰

U œœ™™

### œ ™ ™ >œ >™ ### œ œ™

œœ #œœ

œ ‰ #œ

sul - fur - ous to

### > & œ ‹ breath

œ œ

? ### >œ

breath

>j œ ¿

Ä j U j ¿ ‰ œ

smell. (sniff) (gag)

>j œ ¿

>j œ

[C continues to react to each insult.]

j œ

so much brain

œ wax,

>j œ

œ œ

> œ

ear -

œ œ

> œ

j œ

>œ J

ear -

wax,

œ J

>œ J

j œ

so much brain

> œ œ #œ

wax,

so much brain

ear -

œ œ œ œ

j œœ

j œœ œ > œ >œ œ œœ J

œ >œ œ œœ #>œœ œ

œœ J

‰

nœ

ear -

your

‰

your

‰

œ your

‰

wax,

œ >œ œ œ œ J

sul - fur - ous to

## & # œ œœ œœ œœ œœ œœ > >œ œœ >œœ œœ œœ ? ### >œœ J

œœ œœ

>œ J

> œ™ bœ nœ œ nœ

you

j œ

hith - er?

> œ nœ œ

j U ¿ ‰ œJ

> œ ™ bœ nœ œ bœ

you

hith - er?

What

wind

blew

you

hith - er?

¿ U #œ J ‰ J

œ™ bœ œ bœ n>œ

smell. (sniff) (gag)

j œœ ¿ > >œœ ¿ J

blew

>œ œ œ

blew

smell. (sniff) (gag)

sul - fur - ous to

wind

œ J

wind

>œ J

œ ™ nœ œ bœ >œ

What

smell. (sniff) (gag)

sul - fur - ous to

What

j U ¿ ‰ œj

j >œ œ œ œ œ

breath

> ##> &# œ œ œ œ œ œ œ

{

### > œ™

You have

Pno.

not

You have mf

97 > ° ### > & œ œ œ œ œ œ œ

œ #œ

œ œ

> œ

œ your

‰

nœœ œœ

‰

œœ œ œ

[Choir looks around disgusted, holding noses, while a few members linger with gagging sounds. Ham it up!]

breath

### >œ™

You have

‰

ot Per fo us r P al er Sc fo or rm e an ce

Grandiose, broadly q.=52

U nœ ™

What

wind

blew

U ™ ¿ ‰ œœj œœ™ bnœœ nœœ bœœ nœœ J > ¿ U #œœ J ‰ J

j œ œ J

you

j œ œ

œœ™™ bb œœ n œœ bnœœ nb>œœ nœœ J

> nœ œ œ n>œ œ œ

hith - er?

œ œ œ nœ œ >œ œ œ nn>œœ œ œ

. . ‰ œ œ You're un -

. . ‰ œ #œ

You're un -

. ‰ #œ œ.

You're un -

‰

œ. œ.

You're un -

‰ œœ œ . #œ. # œœ. œ. œ ‰

This score is intended for perusal use and is not licensed for performance. Further dissemination of this copyrighted work is ILLEGAL.

[Using outward f licking of underturned fingers, Choir gestures C to leave, shooing off. Head down, C edges a bit and looks back. Choir shoos C again. C walks a bit further and looks back. Choir shoos again with their largest gesture yet, and C walks a bit more.] mf

14 molto rit.

≈ œ ‹œ œ œ

fit

### . & nœ

fit

. ### œ & ‹ fit

Pno.

? ### œ.

{

fit

œ œ œ œ

for an - y place

≈ œ œ œ œ for an - y

molto rit.

## & # nœœ . . ? ### œœ

Energetically q.=120

way,

> & œ ‰ way,

Pno.

> & œ ‰ ‹ way, > ? œ ‰ ¢

{

way,

œ.

œ™

but

*hell.

œ <#>œ.

but

‰

œ œ. œ. œ <#>œ

œ œ ‰

a - way,

œ œ

‰

U™ Œ

> #œ ™

‰

nœ ™

> œ

*Go *rot. mp dark, evil

U™ Œ

> œ

> j œ

A mf

*hell.

*Go

œ™ nœ ™ œœ ™™

*rot.

n œœ

U™ Œ

œœ

‰ ‰

>œ J

nnn

>j œ

nnn

U™ Œ

In time q.=60

U™ Œ

nnn

A -

> œ™

‰

nnn

A -

U Œ™

> œ™

‰

>œ J

U Œ™

*Go *rot. mp dark, evil

U Œ™

œ™

œ ‰ ‰

œ œ ‰

a - way,

œ œ

œ œ ‰

œ ‰

a - way,

‰

œ ‰

n# œœ ™™

œ œ

œœ ™™

‰

a - way,

‰

a - way,

œ œ

A -

U™ Œ

œj œ

œ J

œ œ ‰

œ ‰

a - way,

œ œ ‰

a - way,

j ‰ œ

nnn nnn

‰

a - way,

œ œ ‰

œ ‰

a - way,

œ œ ‰

a - way,

œ œ ‰ œ œ

œ œ

œ ‰ œ

œ œ ‰ œ œ

œ œ

œ ‰ œ

œ œ

œ œ ‰

œ ‰

œ œ ‰

œ ‰

œ œ ‰

a - way,

œ ‰

‰

[Toward C.] mf

j œ

a - way!

Energetically q.=120

& œœ ‰ > ? >œ ‰

105

*hell.

‰

*Go *rot. mp dark, evil

U Œ™

nœ ™

but

> nœ

mp dark, evil

[One member of the choir emerges from the ensemble and begins to chase C. C begins running away and the member chases C around the stage.]

. œ

U™ Œ

*Obnixous shadow vowels. Lots of "r" on "rot."

° >œ ‰ & 105

*hell.

‰

place

≈ œ ‹œ œ œœ œ œ œ œ #œ œ <n> œ ≈ œ œ œ œ

101

but

‰

for an - y place

≈ œ #œ œ <n>œ

œ™

‰

for an - y place

≈

œ.

In time q.=60

ot Per fo us r P al er Sc fo or rm e an ce

° ### . & œ 101

a - way,

‰

œ œ

Were

‰

a - way,

œ ‰ ‰

œ ‰

œ œ

a -

‰

a - way, p

a -

œ œ ‰

a - way,

a -

‰

œœ

œ œ ‰

œ œ

This score is intended for perusal use and is not licensed for performance. Further dissemination of this copyrighted work is ILLEGAL.

15 S.

& œ ‰

way,

& œ ‰ ‹ way,

Pno.

? ¢ œ ‰

{

way,

like thee,

œ œ

‰

a - way,

œ œ

j œ

I'd

throw

‰

a - way,

‰

a - way,

‰

œ œ ‰

j œ ‰

a - way,

a - way!

a - way,

œ œ

a - way,

œ œ

a -

way!

‰

j œ

Were

œ ‰

œ œ ‰

œ J

œ œ J

œ œ

‰

a - way,

way!

œ™

[Toward C.] mf

a - way!

j œ œ

j œ

like thee,

I'd

œ J

j œ

Were

{

way!

? œ˙™

113

Œ œ œ ‰ œj œ

j œ œ œj

œ ‰ J œ I

‰

j ‰ œ

j œ

I'd

throw

œ œ

j œ

˙™

throw

my - self

a -

way!

œ œ™

j œ œ Œ

œ™ œj œJ

œ œœj nœœ œ œj œ œ J

‰

a - way,

‰

Œ™

like thee,

I'd

a -

j œ

Were

#œ œ J

my - self

j œ a -

j œ œ œ œ œœ ‰ œ œ ‰ œ œ

Œ™

j œ

[Toward C.] mf

a - way!

œ J

j œ œ

‰

throw

#œ œ J

œœ J

j bœ

j œ œ

my - self

Were

j œ

a -

œ œ œ nœJ œ

? ˙™

œ œ ‰

#œ œ J

j œ œ

& œ™ œ ‰

a - way,

like thee,

œ œ ‰

& œ ‹ I

‰

œ œ

a - way,

#œ œ J

? œ ‰

way,

Pno.

‰

a - way,

[Toward C.] mf

‰

œ œ

a - way,

˙™ œ ‰

& œ ‰

‰

j œœ

A -

œ œ œ œJ œ

a - way,

‰

˙™

j œ #œ œ œ ‰ œ œ ‰

113

my - self

j œ

j œœ

° œ™ &

#œ œ J

j œ # œ & œ ‰ œ œœ ‰

109

#œ œ J

ot Per fo us r P al er Sc fo or rm e an ce

° œ & 109

œj ‰ œ ˙œ ™™

j œ œ œ bœ œ

Œ ‰ Œ™ œJ œ Œ

œ J

A -

œJ œ J

œ way!

œ œ J

œ J

j œ œ

j bœœ

j œœ œ œœ bœœ œ œJ J

This score is intended for perusal use and is not licensed for performance. Further dissemination of this copyrighted work is ILLEGAL.

° bœ & 117

j bœ bœ

œ œ J

like thee,

I'd

& ˙™

& bœ ™ ‹

? bœJ ‰ ¢

j œ bœ œ

j œ

j bœ œ

A -

way!

{

j œ œ

? bœJœ™ ‰

‰

° & bœ ™ 121

& bœ

‰

bœ

œ bœ J

thee,

j œ a

{

bœ

œ œ J

like thee,

‰

way,

bœ

I'd

throw

b œj ‰ bœ

(mp)

j bœ

bœ

Were

j œ

bœ ™

œ bœ J

j bœ

way!

bœ

b˙™ œ™

j œ

a - way,

my - self

Œ œ

œj bœ

j œœ J bœj

bœ ™ bœ

bœ b˙ ™

a -

œ J

bœ

j bœ œ

œ J

j bœ

œ™ way!

‰ Œ œ œ J

œ bœ J

thee,

Œ™

Were

œ œ J

I'd

throw

my - self

œ J

bbœœ œ

œœ œ œ œœ J J

b œœ ™

œj bœ J

j bœ

bœ

I'd

throw mf

way, mp

a - way,

œ J a

œJ œj

œ œ bœ

j bœœ J bœj

bœ bœ ™

bœ b˙ ™

bœ

way,

œ bœ J

j bœ

my - self

j bœ p

j bœ œj

bœ bœœ™™

bœ œ™

a -

bœœ ™™ the

a - way,

œ™ j œ bœ Œ™ œj œ

a -

j bœœ J

All

œ J

bœ J

Œ œ œ J

bœœ ™™

way,

bœ

bœ J

b˙ ™

way!

bœ ? ˙™

121

b˙ ™ bœ

œ œ œ œ

way!

A -

œ bœ J

bœ œ J

j bœ

? ˙™ & bbœœ™ ‰

Pno.

& bœ ‹ I ¢

bœ ‰ J

j œœ bœœ œ bœj J

bœ ™

j œ

a - way,

œ J

j œ

œ J bœ J

j bœ bbœœ œ

117

bœ ™

A -

Œ™

bœ bœ

way!

Were

bœ & ˙™

Pno.

Œ™

‰

bœ œ Œ

˙™

ot Per fo us r P al er Sc fo or rm e an ce

my - self

way!

j bœ

œ œ J

throw

j œ a mp

bœ J

Were

j œ bbœœœ™™

j œ

bœj

œj J

œ Œ

This score is intended for perusal use and is not licensed for performance. Further dissemination of this copyrighted work is ILLEGAL.

° bœ ™ & 125

j bœ

way!

A -

world's

? bœ

{

™ & bbœ˙˙™™

Pno.

? bbœœ

j œ œ™

like thee,

{

™ & bœœœ ™™

Pno.

like thee,

j bœ

bœ

I'd

throw

stage.

b˙˙

bœœ

bbœœ ™™

Thine

face

not

bœ

bœ ™

j bœ

œ bœ J

my - self

j bœ

bœ ™

bœ J

bœ ™

way!

All

bœ

thee,

I'd

throw

j bœ

œœ™™ bbœ™

œ J

˙˙œ

œœ

bœ

Were

‰ bœj

bœ

œœœ™™ œ bœ J

- way,

bœ ™

j bœ a

j œ ‰ bœj bœ J

a -

bœœ ™™

worth

b œœ

œ bœ J

like thee,

bbbœœœ™™™

bœ J

j bœ

bœ

I'd

throw

j œ œ

j œ

a - way,

way!

j œ A

bbœ˙˙™™

j œ bœ

j œ

bbœœ ™

œj œ Œ

œœj J

way!

bœ˙˙ ™ ™

j bœ

world's

my - self

b˙˙ ™™

the

œ bœ J

j œ

œ J

j œ œ

b ˙˙ bœ ™

bœœ ™™

˙˙

bbbœ˙˙ ™™

j œ

ing.

bœ bœ J

way!

Œ œ bœ bœ bœ J J

bœœ ™™

œœ

bbbœœœ ™™

bbœœ

j bœ

˙˙ ™™

my - self

Œ bœ

œ J

Œ™

bœ ? b œœ bbœœœJ œ

129

œœœ™™™

sun - burn

? bœ

Were

œ bœ J

bb˙˙ ™™

œ bœ J

j œ

& œœ ™™ & ‹

bœ

throw

œj bœœ™ J

way!

I'd

129

bœœ

œ J

bœ

bœ bœ J

° bœ ™ &

bbœœ ™™

a - way!

125

œœ ™™

j œ

ot Per fo us r P al er Sc fo or rm e an ce

& bœ ‹ way,

way!

& b˙˙ ™™

bœ ™

bœ J Were

j œ œ

b œœœ™™

œ bœ J

my - self

œœ ™™

bbœœ ™™

bœ ™

Œ™

bœ ™

j bœ œ J

j bœ a -

way!

bœœœ™™

™ bbœœ ™

bœ J Were

j œ bœœœ ™™ bœj œ

œ J

This score is intended for perusal use and is not licensed for performance. Further dissemination of this copyrighted work is ILLEGAL.

° bœ ™ & 133

j bœ

way!

& bb˙˙ ™™

bœ ™

way!

˙˙ ™™

stage.

& bbœœ ‹ Pray ? bœ

{

you

? bbbœœœ

bœœ œJ œ

° bœ ™ &

way!

way,

™ & ˙˙™ ‹ p

? bœ

{

throw

™ & bbœœ

Pno.

˙™ ? b˙œ™

137

a - way,

Were

œ bœ J

j bœ j œ

throw

my - self

j bœ

bœ˙˙ ™™

œ bœ J

j bœ

bœ throw

I'd p

j bœ

like thee,

œœ ™™ bb˙˙ ™™

bœ ™

bœ J

bœœœ ™ ™

j œ bœ Œ

j bœ J

bœ J

œ bœ J

j bœ

my - self

a -

bœ

j œ œ

j œ

way,

a - way,

a -

stagger breathing

me.

j bœ

bœ

I'd

throw

j œ a

j bœ

Œ œ

j œ J

my - self

œ bœ J

bœ J

˙˙™™

bœ ™

way!

œ bœ J

my - self

bœ

j œ

way,

a - way,

œœ™™

œ Œ

bb˙˙ ™™

œœ ™™ b b ˙˙™™

œœ bœœ J Œ

way!

j œ

bœ

j œ

way,

a - way,

j bœ

bœ

I'd

throw

œ bœ J

j œ

bbœœ ™

bœj

bœ ˙˙™™

a mp

way!

bbœœ

bœ ™

j bœ a

bb ˙˙ ™™ bœ ™

bbœœœ bb œœœ bœ b œœ bœ J J

œ J

œ bœ J œ J

from

I'd

œœ

& bœ

j œ

bœ

œ J

bœ

bœœ

bbœœ

farth - er

like thee,

133

137

stand

bœ bœ J

™ & bbb˙œ˙ ™™

Pno.

bœœ

j œ

ot Per fo us r P al er Sc fo or rm e an ce

˙˙ ™™

my - self

œ J

Œ œ

œj bœ

way!

bbœœ

b˙˙œ™™™

I'd

œœ bœœ J

œ J

œ bœ J

j bœ

my - self

a -

j œ

bœ

I'd

throw

j œ

bœ

j œ

way,

a - way,

j bœ a

j œ J

bœj

bœ ™

œ Œ

way!

b œ™ ˙˙™™

a -

j bœ I'd

˙˙ ™™

bbœœ

j œ

j bœ

œ J

œœ bœœ J Œ

j œ bœj

This score is intended for perusal use and is not licensed for performance. Further dissemination of this copyrighted work is ILLEGAL.

° bœ ™ & 141

j bœ

bœ

I'd

throw

j œ

bœ

j œ

way,

way!

way,

bœ & ‹ throw

? Œ

{

141

bœ Œ

° bbœœ & 144

b>œ J

œ J

œj bœ J >

nnœœ

way!

& nœ

#œ

way!

Pno.

self

j œ

way,

bœ

way, mf

œ -

j œ

way, mf

> bœœ ™™

Scores are ˙available from: JakeRunestad.com œœ ™™ ˙ ™™ mf

way!

Œ œ

bœœ ™ bœ™ >

bœœ œ

j œ J

bœj

#nœœ #œ

bbœœ

œœ J

b œ™ ˙™ ˙™

nœœ œ

bœœ

j œ

bbœœ

bœj

bœ œ™ œ™

##œœ

nn˙˙ ™™

œ J

way,

j œ

way,

#˙ ™

œ™ ‰

nœœ

##œœ

nn˙˙ ™™

œœ™™

#œ

#˙ ™

œ™

& bnbœœœ

n#nœœœ

bœœœ

##nœœœ

nœœœ #n#œœœ

n#n˙˙˙ ™™™

œœœ™™™

b œ ? bnœœ

nn#œœœ

b œœœ

n##œœœ

n œœœ #n#œœœ

? nœ way!

n#n ˙˙˙ ™™™

œœ J

bœ Œ

œœœ ™™™

bœ

‰

œœ

œj

j bœ

œœ™™

#nœœ

nnœœ

144

bœ

bœœ

& bbœœ ‹ way!

{

œ J

j j bœ ™ bœ œ œ bœ Œ bœ b œ b œ J J This portion hasa been left blank in hopes youI'dwill purchase this score. my - self way! throw my - self -

™ & bbœœ

Pno.

j œ

bœ

j bœ

ot Per fo us r P al er Sc fo or rm e an ce

& bœ

œ J

bœ J A

œœ J

bœj J

bœ J

A -

j bœ A -

Œ™ Œ™ Œ Œ™

bbœœ J

This score is intended for perusal use and is not licensed for performance. Further dissemination of this copyrighted work is ILLEGAL.

° bœ & 148

bœ

œ™

way!

& bœ

bœ

bœ ™

bœ J

j bœ mf

way!

? Œ™

{

? Œ™

148

° bœœ bbœœ & way!

& b˙ ™

way!

& bœ ™ ‹

? bœ ™

{

bœœ bbœœ & b ˙™

Pno.

? bbœœ ™™

150

bœ

bœœ

œœ

way!

œœ

bœœ ™™

bœ J

bbœœ

bœœ J

œœ

bœœ

œœ

[The choir members throw their music down on the rest, and, as a mob, go after and grab C to throw C offstage.]

150

bœœ

way!

bœ J A

& bbœœ

Pno.

bœ

ot Per fo us r P al er Sc fo or rm e an ce

j bœ mf

œœ bœœ

œœ

b˙˙ ™™

˙˙ ™™

œœ ™™

b˙ ™

˙™

œ™

j œ

& Œ™ ‹

bbœœ ™ bœ

bœ J A

œœ bœœ Œ

œœ

œœ bœœ J

bœ -

œœ ™

bb˙˙ ™™

œœ ™™

bbb˙˙˙ ™™™

>j bœ

A f

b>œ J A -

œ bœ

way!

bb œœ b œœ bœ œ

b >œ J A -

way!

œœ b œœœ œœ œ œ

œœ œ

b˙ ™

œ™

˙˙ ™™™ ˙

œœ ™™™ œ

bbb ˙˙˙ ™™™

œœ ™™ œ™

b>œ J A -

Œ Œ

b >œ bœ J > bb œœ J

This score is intended for perusal use and is not licensed for performance. Further dissemination of this copyrighted work is ILLEGAL.

way!

b>˙˙ ™™

way!

& ‹

Pno.

bb˙>˙ ™™

way!

b >˙ ™ ? b ˙™

{

>™ bbb˙˙˙˙ ™™™ & ˙™ bbb ˙>˙˙ ™™™ ? b˙™

154

way!

˙˙˙ ™™™

˙˙™™

˙˙ ™™ ˙ ™™ ˙ ˙˙˙ ™™™ ˙˙™™

˙˙˙ ™™™ ˙™

U ˙˙˙ ™™™

U ˙˙™™ ff

Ä U™ Œ U™ Œ

>j ¿

[On the downbeat, the choir gestures by pointing off stage. The new conductor kicks C in the rear as C f lees offstage.]

>¿ J

‰

Œ™

‰

Œ™

A - way!

>j ¿

>¿ J

A - way!

ot Per fo us r P al er Sc fo or rm e an ce

˙˙˙ ™™™

˙˙ ™™ ˙ ™™ ˙ ˙˙˙ ™™™ ˙˙™™

˙˙˙ ™™™ ˙™

*High Eb optional. If used, one singer only.

° & 154

>™ bb ˙˙˙ ™™

[The new conductor walks C to the side of the stage, holding C and states: "There's no more faith in thee than in a stewed prune."]

˙ ™™ ˙U ff

U ˙ ™™ ˙

U ˙˙˙ ™™™ ˙˙™™

˙˙˙ ™™™ ˙™

U™ Œ

>j ¿

>¿ J

‰

Œ™

‰

Œ™

A - way!

U™ Œ

>j ¿

>¿ J

A - way!

U Œ™

Œ™

∑

U™ Œ

Œ™

∑

December 7, 2015 Minneapolis, MN