Geoffrey Edwards

Written for developing voices, this straightforward concert setting of Philip Hayes’s classic vocal canon is full of teachable moments in phrasing, vowel placement, breath support, and the use of solfège. The melody is presented in unison, breaking next into the canon, and closing with a short unison coda. Charming in its natural choral beauty, the piece is supported by a light Baroque-like accompaniment, adding musical interest.

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