Various / Danielle Sofer, Christa Brustle

. Brüstle, Christa; Sofer, Danielle: Introduction|Dunlop, Anna: Personal Recollections of my Mother, Elizabeth Maconchy|LeFanu, Nicola: Elizabeth Maconchy - A Life in Music|Photographies|Fuller, Sophie: The Maconchy-Williams Correspondance 1927-1977|Forkert, Annika: Beauty among Beasts? Maconchy, Walton, Tippett and Britten|Heldt, Guido: Composer concertante. Elizabeth Maconchy's Music for Solo Instruments and Ensemble|Brüstle, Christa: Elizabeth Maconchy and Béla Bartók - 'Ultra-Modernity' in British Music|Matthias, Rhiannon: Maconchy's Late String Quartets with particular reference to String Quartet No. 9|Leithold, Sophia: Erotic Desire in Elizabeth Maconchy's Opera 'The Sofa'|Sofer, Danielle: Death Becomes Him - Elizabeth Maconchy's One-Act Opera 'The Departure'|Maconchy, Elizabeth: A Composer Speaks|Maconchy, Elizabeth: The Image of Greatness|Catalogue of Works|Bibliography|List of abbreviations|Index of persons|Short biographies
Studien zur Wertungsforschung, Volume 59. The editors take a deep dive into the music of Elizabeth Maconchy, a star among British composers of the 20th century. From her early studies with Vaughan Williams, her fascination with the music of Bartók, and her success on the Continent, Maconchy stood among the male dominated British musical world of Elgar, Delius, Walton, Britten, and others. “Music as Impassioned Argument” presents writings by Maconchy, herself, with others that seek to explore and enlighten her catalog of works.

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