Strongly influenced by music of the past – Franz Liszt, Francis Poulenc, Allan Pettersson – the Sonata for Alto Saxophone and Piano alternates between an innocent stroll in the park, and a fierce breaking of tonal and formal boundaries. The three movements are personal adaptations of old forms – the first a sonata, the second an ABA song form, and the third a rondo. Each movement has a turbulent, eruptive quality that takes this music away from its historical models and makes it very much a music of our time. The Sonata has become a standard piece in the saxophone repertoire.

Program Note
The Sonata was commissioned by the North American Saxophone alliance for its 1989 convention. It is in three large movements. The first is lyrical and reflective, with sudden energetic bursts. The song-like and soulful second movement is a broad soliloquy with its roots in the expressive madrigal style of the sixteenth century. The third is a large rondo that is at times fierce, mournful, playful, and turbulent, and at the end, ethereal.

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