Bass, Randol Alan

The setting is generally structured as follows:

1. Unaccompanied statement – ‘Cello (opt. Bassoon or Euphonium)
2. Alto (vocal) solo with ‘Cello (Bsn. / Euph.) countermelody; transition to:
3. Full Choral setting, with underscoring; transition to:
4. Wind Ensemble setting, tenor voice lead; transition to:
5. Wind Ensemble setting, brass lead; transition to:
6. Full Choral / Wind Ensemble setting (diminution); transition to:
7. Choral imitation, receding; Wind Ensemble conclusion (quiet)

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